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TOKINA CINEMA 11-20MM
FUJIFILM
LAOWA 24MM MACRO PROBE
SIGMA 18-35MM CINE ZOOM
SIGMA 50-100MM CINE ZOOM
CANON CN-E COMPACT-SERVO
ZEISS CP.2 50MM MAKRO
CANON CN-E 20MM CINEMA
One Seven Eight offers numerous professional filters for rent from Tiffen, Schneider and Prime Circle.
$5 / Day
$3.75 / Additional Day
$15 / Week
A truly versatile wide-angle zoom featuring an advanced optical design and constant f/4 maximum aperture, the Canon EF 11-24mm f/4L USM Lens is a member of the esteemed L-series of lenses designed for full-frame EOS DSLRs. Ideally suited for landscape and architectural photography, this lens covers ultra-wide to wide-angle perspectives and backs up its versatile zoom range with sophisticated optical components and intuitive handling.
$45 / Day
$33.75 / Additional Day
$135 / Week
The Canon EF 16-35mm f/2.8L II USM Autofocus Lens is a high performance, water-resistant, and ultra wide-angle L-series lens. The optical design has been improved to offer better edge-to-edge image quality. In addition, it features 3 high-precision aspherical lens elements, each of a different type: ground, replica and GMo. Improved AF algorithms will help the lens to focus faster and quieter. All of the "L" lenses deliver optical performance equal to similar fixed focal lengths lenses, and the USM lenses do this with silent, high-speed focusing. Distortions and aberrations are remarkably small for a lens of such amazing capabilities.
$40 / Day
$30 / Additional Day
$120 / Week
This redesigned EF 24-70mm f/2.8L II USM Lens from Canon ups the ante for optical performance for a professional standard zoom lens. It has one Super UD lens element and two UD lens elements that minimize chromatic aberrations in the periphery at wide-angle, as well as reducing color blurring around the edges of the subject. In addition, two types of aspherical lenses are combined to help reduce spherical aberration over the entire image area, as well as through the full zoom range. Optimized lens coatings help ensure exceptional color balance while minimizing ghosting.
$40 / Day
$30 / Additional Day
$120 / Week
For incredible versatility, the EF 24-105mm f/4L IS II USM has been redesigned to deliver superb L-series optical performance that pairs smoothly with the high-resolution, full-frame sensors of SLR cameras. Featuring a zoom range of 24-105mm and a constant f/4 aperture, the EF 24-105mm f/4L IS II USM is ideal for landscapes, portraits, sports and more, offering effective all-day performance for advanced photography and videography. It helps reduce ghosting and flare, and has improved peripheral brightness as well as a 10-blade circular aperture that helps deliver sharp, evenly illuminated images with gorgeous background blur.
$34 / Day
$25.50 / Additional Day
$102 / Week
The all-new EF 70-200mm f/2.8L IS II USM increases the speed, performance and optical quality of the EF 70-200 f/2.8L IS USM while maintaining all of the characteristics that have made it a legend for professionals and advanced amateurs alike. The EF 70-200mm f/2.8L IS II USM features one fluorite and five UD elements for increased optical quality and reduced chromatic aberration. It has a minimum focusing distance of 1.2m/3.9 ft. at all zoom settings, which is useful for photographers in smaller spaces trying to get closer to a subject. It features a next-generation Optical Image Stabilizer, providing up to 4 stops of correction at all focal lengths. And as with all L-series lenses, the EF 70-200mm f/2.8L IS II USM is dust and moisture-resistant and designed for use in the challenging environments typical of rigorous professional use.
$40 / Day
$30 / Additional Day
$120 / Week
These Canon Close-up lenses are screwed onto the front of the lens like filters, for quick and easy close-up photography. They have two achromatic elements to correct chromatic aberrations.
The 250D is suited for lenses with a focal length from 30 to 135mm. The 500D is geared for lenses with a focal length anywhere from 70 to 300mm.
$6 / Day
$4.50 / Additional Day
$18 / Week
The Canon EF 100-400mm f/4.5-5.6L IS USM Lens has an excellent focal length range that includes the longest focal length found in a Canon zoom lens - 400mm. This long focal length and focal length range combine with very good image and build quality to make the 100-400 L one of the most popular serious wildlife and sports lenses Canon sells.
$45 / Day
$33.75 / Additional Day
$135 / Week
The Canon cinema prime set lens offers a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
$450 / Day
$337.50 / Additional Day
$1350 / Week
The COMPACT-SERVO 18-80mm T4.4 EF-mount lens combines the benefits of compact size and light weight (only 2.65 lbs.) for outstanding mobility. Designed to shoot video, this lens can be ideal for the cinematographer moving up from our EF lenses, combining the functionality of our EF lenses with the video shooting features of our Cinema lenses.
$100 / Day
$80 / Additional Day
$300 / Week
The CN-E COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility.
$120 / Day
$90 / Additional Day
$360 / Week
The Mount Adapter EF-EOS R gives you the ability to utilize any Canon EF or EF-S lens with the EOS R camera, letting you use your existing lenses with the camera. With a stylish design that matches the EF and EF-S lens look and a sturdy, dust- and water-resistant construction, the Mount Adapter EF-EOS R makes it easy to adapt to more lens choices and possibilities.
$4 / Day
$3 / Additional Day
$12 / Week
The Fujinon XF 16-80mm F4 R OIS WR lens from Fujifilm offers advanced image quality with 16 elements in 12 groups. It’s a compact and lightweight FUJINON zoom lens, weighing just 440g, coming with powerful OIS and silent autofocus.
Photography is constantly evolving. The modern creative requires a lens suitable for both stills and video across a broad range of applications. XF30mm F2.8 R LM WR Macro responds to these needs by offering a versatile focal length, 1:1 macro capability, fast inner focusing and minimal focus breathing.
With a useful 35mm equivalent telephoto zoom range of 76-213mm, and a constant F2.8 maximum aperture, the Fujinon XF 50-140mm F2.8 R LM OIS WR lens from Fujifilm is a great addition to any X-mount photographer’s kit.
Extension tubes are designed to enable a lens to focus closer than its normal set minimum focusing distance. Getting closer has the effect of magnifying your subject (making it appear larger in the viewfinder and in your pictures). They are exceptionally useful for macro photography, enabling you to convert almost any lens into a macro lens at a fraction of the cost while maintaining its original optical quality.
The DG extension tubes have no optics. They are mounted in between the camera body and lens to create more distance between the lens and film plane. By moving the lens father away from the film or CCD sensor in the camera, the lens is forced to focus much closer than normal. The greater the length of the extension tube, the closer the lens can focus.
$4 / Day
$3 / Additional Day
$12 / Week
Described as "weird but genius," the Laowa 24mm f/14 Probe is a truly unique lens designed for close-up shooting. Distinguished by its long, slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8" minimum working distance.
$60 / Day
$45 / Additional Day
$180 / Week
This new lens series originates from Zeiss ZF.2 lenses, and features manual aperture control and focus marks on both sides of the lens barrel. They are de-clicked with geared focus and iris, and smooth focus control. Every Prime Circle XM lens is calibrated and engraved (one to one) to offer ultra precise follow focus work.
$260 / Day
$195 / Additional Day
$780 / Week
Schneider 138mm Diopter Lenses shorten the close-focusing distance of normal fixed focal length or zoom lenses. This allows the camera to focus closer to the subject and achieve a larger image size while bringing out the sharpest details in even the tiniest subjects.
$15 / Day
$11.25 / Additional Day
$45 / Week
Extend the reach of your telephoto lens with this APO Tele Converter 1.4x EX DG from Sigma for Canon EF-mount cameras and lenses. This model will increase the focal length by about 40% while only losing 1 stop of light in the process. It also retains communication between the lens and camera, allowing users to use automatic metering and autofocus.
$10 / Day
$7.50 / Additional Day
$30 / Week
The Sigma 18-35mm f/1.8 DC HSM Art Lens is a wide-angle to normal-length zoom lens that features a fast, bright constant f/1.8 maximum aperture. It is specifically designed for use with APS-C-sized sensors and provides a 35mm-equivalent focal length range of 27-52.5mm.
$35 / Day
$26.25 / Additional Day
$105 / Week
The Sigma 18-50mm f/2.8 DC DN Contemporary lens is exceptionally small, light and bright standard zoom for crop-sensor mirrorless cameras is the ultimate workhorse lens.
The 24-105mm f/4 DG OS HSM Art Lens from Sigma integrates three aspherical elements into its construction as well as two SLD and two FLD glass elements to help minimize aberration, field curvature, and distortions throughout the zoom range as well as provide greater image sharpness while avoiding reduced peripheral brightness. Super Multi-Layer Coating has also been applied to lens elements to reduce surface reflections, lens flare, and ghosting.
$32 / Day
$24 / Additional Day
$96 / Week
The Sigma 50-100mm 1.8 DC HSM Art is a premium mid-telephoto zoom lens designed for APS-C sized sensors. Part of the Sigma Global Vision Art Line, the 50-100mm 1.8 is the second lens to feature a 1.8 aperture all the way through the focal length and factoring in the APS-C increase, the lens covers a highly useful range of 75-150mm. An enhanced and slimmer Hyper Sonic Motor (HSM) provide fast and accurate autofocus while 3 Premium FLD and 1 SLD Elements produce incredible image sharpness. Like all SGV lenses, each lens is hand crafted in our single factory in Aizu Japan, individually inspected before shipping and work with the Sigma USB Dock to update firmware and focus calibrate.
$35 / Day
$26.25 / Additional Day
$105 / Week
Founded on the success of the Sigma ART line of lenses, the Sigma Cine 18-35mm T2.0 is a truly inspiring, general purpose, high speed zoom lens. Perfect for lightweight, solo operation but more than capable of operating in a demanding, professional environment. With an entirely new mechanical design, the Sigma Cine 18-35mm T2.0 is a very versatile, capable lens with features common to the motion picture industry including excellent color matching across all Sigma Art lenses, common gear diameter and position, standardized 95mm front ring, and plenty more.
$125 / Day
$88.75 / Additional Day
$375 / Week
* Rent both Sigma Cine Zooms for just $200/day
The Sigma 50-100mm T2 Cine High-Speed Zoom Lens (Feet) with a Canon EF mount provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High Speed Zoom lineup, which makes for rapid lens changes.
$125 / Day
$88.75 / Additional Day
$375 / Week
* Rent both Sigma Cine Zooms for just $200/day
Primarily used as a photographic tool for controlling depth of field and exposure, the Variable ND is being sought in the video market as well because it is fast, easy to use, small, lightweight, and does not require additional accessories such as a matte box.
The new 11-20mm features a cinema style focus throw with 0.8 Mod cinema gears on the focus, zoom and iris rings. Made with an industry standard 95mm front ring for clamping onto a matte box as well as an 86mm filter thread, it is ready for easy filtration options whether using a standard matte box or challenging shooting conditions where a low profile filter is required.
The new 11-20mm features a cinema style focus throw with 0.8 Mod cinema gears on the focus, zoom and iris rings. Made with an industry standard 95mm front ring for clamping onto a matte box as well as an 86mm filter thread, it is ready for easy filtration options whether using a standard matte box or challenging shooting conditions where a low profile filter is required.
The 25-75mm T2.9 Cinema Lens from Tokina sports a 36mm image circle that covers Super 35 and select other image sensors. Designed to match the Tokina Cinema 50-135mm T2.9 Mk II and 11-20mm T2.9 zoom lenses, the 25-75mm zoom lens features a constant T2.9 maximum aperture, limited focus breathing, and low distortion.
The 25-75mm T2.9 Cinema Lens from Tokina sports a 36mm image circle that covers Super 35 and select other image sensors. Designed to match the Tokina Cinema 50-135mm T2.9 Mk II and 11-20mm T2.9 zoom lenses, the 25-75mm zoom lens features a constant T2.9 maximum aperture, limited focus breathing, and low distortion.
This 50-135mm T2.9 Mark II Cinema ATX Lens from Tokina covers Super 35mm image sensors, does not exhibit focus shift while zooming, and comes with a Canon EF mount. Updated from its T3.0 predecessor, the lens features a constant T2.9 maximum aperture over the entire zoom range and has a 2.7x zoom ratio.
This 50-135mm T2.9 Mark II Cinema ATX Lens from Tokina covers Super 35mm image sensors, does not exhibit focus shift while zooming, and comes with a PL mount. Updated from its T3.0 predecessor, the lens features a constant T2.9 maximum aperture over the entire zoom range and has a 2.7x zoom ratio.
These revolutionary new lenses feature a huge 46.7mm image circle making these lenses compatible with nearly every motion picture camera sensor on the market including Vista Vision format. The new Vista series are all the exact same size and gear position for easy setup and workflow.
$700 / Day
$525 / Additional Day
$2100 / Week
Zeiss CP.2 Cine Lenses offer full-frame 35mm coverage of large sensors. The CP.2 offers interchangeable lens mount, allowing the mount to be easily changed between PL, Canon EF or Nikon F mounts.
$325 / Day
$243.75 / Additional Day
$975 / Week
The Zeiss Compact Prime CP.2 50mm/T2.1 Makro Cine Lens offers full-frame 35mm coverage. What distinguishes the CP.2 from its PL-mount-only predecessor is its interchangeable lens mount, which allows the included Canon EF mount to be easily swapped out for an optional cinema-standard PL or Nikon F mount. For the first time, a single, affordable, professional quality lens can be used on both cinema and still cameras, opening up creative possibilities that keep your rig lightweight, versatile, and on budget. Based on the Makro-Planar design, this fast "normal" lens allows for extremely close focusing up to 10" (24cm).
$85 / Day
$63.75 / Add'l Day
$255 / Week
